Read Gombrich on the Renaissance, Volume II: Symbolic Images by E.H. Gombrich Online

gombrich-on-the-renaissance-volume-ii-symbolic-images

In this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolIn this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolism, demonstrating that the ideas which preoccupied the philosophers of the Renaissance are still very much alive today.Like its predecessor, Norm and Form, this volume is indispensable for all students of Renaissance art and thought as a work that has itself helped to shape the evolving discipline of art history. Reflecting the author's abiding concern with standards, values and problems of method, it also has a wider interest as an introduction to the fundamental questions involved in the interpretation of images....

Title : Gombrich on the Renaissance, Volume II: Symbolic Images
Author :
Rating :
ISBN : 9780714823812
Format Type : Paperback
Number of Pages : 352 Pages
Status : Available For Download
Last checked : 21 Minutes ago!

Gombrich on the Renaissance, Volume II: Symbolic Images Reviews

  • Gort
    2018-12-01 15:05

    Voluptatem sapiente a voluptatem debitis ea cum nesciunt. Sit cupiditate voluptatem. Dolores rerum quam dolore laborum. Error quos minus dolores doloribus beatae iusto. Odio ipsum occaecati sit tempora.

  • Tom Brannigan
    2018-11-17 16:09

    These classic studies on the interpretation of images are essential reading for all students of Renaissance art; they also take their rightful place as seminal texts that have themselves helped to shape the evolving discipline of art history. Many of the essays focus on the greatest artists of the Renaissance -- notably Botticelli, Leonardo, Raphael and Michelangelo -- and all reflect the author's deep and abiding concern with standards, values and problems of method. Yet Gombrich never loses sight of the works of art he is investigating, and he brings to all his analyses and interpretations an original and powerful intelligence, unfailing clarity of expression and immense learning. These four volumes have a permanent value and represent a vitally important humanistic tradition in scholarship and criticism.(less)